Upcoming events

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SAARC Research Grants

Research Grants will be awarded to participants from the Member States based on their Research Proposals.  Details to follow.

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SAARC Non-Violence Day

The SAARC Non-Violence Day will be celebrated with an Art Competition for School Children of Sri Lanka.  Details to follow

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SAARC Cultural Extravaganza

SAARC Cultural Extravaganza will be held in Pakistan.  Details to follow.

Announcements

  • SAARC Research Seminar on Buddhist Cultural Trails: Journey Through Time and Space, of Merchants, Monks and Pilgrims

    The two-day Research Seminar organized by the SAARC Cultural Centre on “Buddhist Cultural Trails: Journey through Time and Space, of Merchants, Monks and Pilgrims” was held at the Bandaranaike Memorial International Conference Hall (BMICH) from 26th to 27th August 2017.  The Seminar was the first Seminar on “South Asian Cultural Trails” which aims to strengthen […]

  • SAARC Exhibition of Paintings

    The SAARC Cultural Centre held the SAARC Exhibition of Paintings 2017 in collaboration with the “Saundaryabhimani Festival” conducted by the University of the Visual and Performing Arts in Colombo over a period of one week, from 3rd July 2017 to 9th July 2017 at the University Premises. There was a vast array of paintings by […]

  • SAARC Artists Camp 2017 Nepal

    The SAARC Artists Camp and Exhibition of Paintings 2017, was held very successfully in Nepal, in collaboration with the Ministry of Culture, Tourism and Civil Aviation, Government of Nepal for 4 days from the 28th to the 31st of July 2017. Participation was very encouraging with official nominations for the Programme from the SAARC Member […]

DIRECTOR’S MESSAGE

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The rich and diverse cultural heritage of South Asian civilizations go beyond its mere projection within the walls of museums, art galleries and commercial exhibitions. The evocative works of the inspired artisans and craftsmen of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka are what have shaped the cultural, social and at times, […]

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CULTURAL PORTAL

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The Centre is intended to function as a major meeting point for the artistic communities of the member states. The Centre will provide the necessary facilities and conditions for individuals and groups in various fields of interest to meet and interact in a conducive environment.

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CULTURE OF THE MONTH

Bharathanatyam

Bharata Natyam is considered to be a fire-dance — the mystic manifestation of the metaphysical element of fire in the human body. It is one of the five major styles (one for each element) that include Odissi (element of water), Kuchipudi (element of earth), Mohiniattam (element of air) and Kathakali (element of sky or aether). The movements of an authentic Bharata Natyam dancer resemble the movements of a dancing flame. Contemporary Bharata Natyam is rarely practiced as Natya Yoga, a sacred meditational tradition, except by a few orthodox schools (see Yoga and dance).

Bharata Natyam proper is a solo dance, with two aspects, lasya, the graceful feminine lines and movements, and tandava Ananda Thandavam (Tamil) (the dance of Shiva), masculine aspect.

In most solo performances, Bharata Natyam involves many split characters that are depicted by the dancer. The dancer will take on numerous characters by switching roles through the swift turn in circle and creates a story line that can be easily followed by the feat of one individual. The characters will be understood by the narrative of the song and the expression, or "abhinaya." However, in more modern times, Bharata Natyam performances have taken stage as group performances involving dramatical performances that require many characters depicted by various dancers. In addition, these dance performances include numerous transitions and formations that are creatively choreographed to enhance the movements along with the music.