SAARC Exhibition of Paintings 2019

The SAARC Exhibition of Paintings organized by the SAARC Cultural Centre in collaboration with the University of Kelaniya will be held from the 22nd – 24th of January 2019, at the Senake Bandaranayake Hall, Faculty of Humanities, University of Kelaniya, Sri Lanka. The exhibition intends to promote regional unity through the medium of Art, to provide an opportunity to showcase the heritage of Member States by displaying paintings of Artists from the South Asian Region and to preserve, Conserve and protect South Asia’s Culture through Art.

The Exhibition will feature the works of art created by artists of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka at the SAARC Artist Camp held in Sri Lanka in 2018 and also a selection of artworks produced at the SAARC Artist Camps during the preceding years.

With a view to encourage young children to explore the field of painting as a medium of self-expression, the exhibition will also feature lectures and discussions on Painting and Art and a workshop on art therapy titled “Creative and Expressive Art Therapy” for senior Art Students (O/L & A/L).

Workshop on “Creative and Expressive Art Therapy”
Date : Wednesday the 23rd of January 2019
Session  i) 10.00 am – 11.00 am
Session  ii) 12.00 pm – 1.00 pm
Session  iii) 2.00 pm – 3.00 pm

Lecture & Discussion on Paintings and Art
Date : Thursday the 24th of January 2019
Session i) 11.00 am –  1.00 pm
Session ii) 2.00 pm  –  4.00 pm

Admission to all events is free

For further details contact:

Mr. Mahinda Sumanasekara – Documentation Officer,
Mobile: 0771053008, e-mail:

Mr. Harishnath Nadarajah – Programme Assistant,
Mobile: 0774997193, e-mail:

SAARC Non-Violence Day Art Competition 2018

To mark the birth anniversary of Mahatma Gandhi (2 Oct), which is also observed as SAARC Non-Violence Day and International Non-Violence Day, the SAARC Cultural Centre organized an art competition among school children in Sri Lanka. This Art Competition was aimed at creating awareness on the need to revive and inspire peace, tolerance, non-discrimination, co-existence, non-violence and respect for each other in our societies.

The paintings were submitted by two age groups; 10 years to 13 (Junior Category) and 14 years to 18 (Senior Category) and were based on two quotations of Mahatma Gandhi highlighting his principles of non-violence viz.,

The good man is the friend of all living things”- Junior Category and
What we are doing to the forests of the world is but a mirror reflection of what we are doing to ourselves and to one another” – Senior Category

There was an overwhelming response to the call for entries and over 500 entries from schools from all over Sri Lanka were received. The winning paintings were selected by a panel of judges from the University of Visual and Performing Arts, Sri Lanka. The judges were Dr. Priyantha Udagedara – Head, Department of Textile and Wearable Arts, Faculty of Visual Arts, Mr. Dumith Kulasekara – Head – Department of Painting and Mr. Jagath Ravindra – Head – Department of Multi-Disciplinary Design.

The Award Ceremony of the Art Competition coincided with the 34th SAARC Charter Day celebration on 8th December at the JAIC Hilton Colombo Residencies and Cash Prizes were awarded for the first, second and third places in both categories. The winners received their certificates and cash prizes from the Chief Guest, Mrs. Darshana Senanayake, Secretary to the Ministry of Culture, Sri Lanka and from Mrs. Renuka Ekanayake, Director of the SAARC Cultural Centre.

SAARC Non-Violence Day Art Competition Winners

Junior Category (10 to 13 years)
First Place
Mr. D.A. Pubudy Madusanka (12 years) of President’s College, Sri Jayawardhanapura, Kotte.
Citation – “The painting is an outstanding example of extremely consistency and expressiveness. Composition created in the painting strengthens its dramaturgy.  Skilful use of colour is a testimony to the visual sensitivity of the message of the painting.  It is an excellent example of the use of composition, colour and expression.”

Second Place
Ms. A.M. Amra (11 years) of Badulla Tamil Girls’ Maha Vidyalayam, Badulla.
Citation – “The Painting is a playful precision of childhood dreams, underpinned by shining good humour, with each character of the composition painstakingly coloured with brilliant bright colour pallet.  Skills of craftsmanship and creation of positive expression throughout the painting is outstanding.”

Third Place
Ms. Sandali Adithya Samasundara (10 years) of Mahamaya Girls’ College, Kandy.
Citation – “While using bright colour pallet and figurative composition in a wonderful way to paint a sensitive event, the brilliant use of iconography helps to realise the artist’s vision of supportive and caring world.  Every single motif has its own recognisable story.”

Senior Category (14 to 18 years)
First Place
Mr. K. Vidura Nishan (17 years) of Bamunugama Maha Vidyalaya, Horapavita, Matara.
Citation – “The painting is an outstanding example of creative expression.  Composition is created with an understanding of contemporary issues.  Skillful use of limited colour pallet is a testimony to the visual sensitivity of the message of the painting. It is an excellent example of innovative thinking.”

Second Place
Ms. A.M. Aaisha (17 years) of Badulla Tamil Girls’ Maha Vidyalayam, Badulla.
Citation – “The Painting is a direct precision of social issues.  The dramatic composition addresses the sensitive, social problem in an artistic manner, mixing the real and the surreal with a lot of ironic motifs.  Skills of craftsmanship and creation of positive expression throughout the painting is outstanding.”

Third Place
Ms. Shanthoshika Sangilignanam (16 years) Rambaikulam Girls’ Maha Vidyalayam National School, Vavuniya.
Citation – “Using a limited colour pallet and a figurative composition with a landscape in the background the painting conveys a sensitive truth.  The motifs possess a strong cultural identity, combining reality and fictional styles.  The painting is a good example of the use of composition, colour and expression.”

SAARC Exhibition of Paintings 2018

The SAARC Cultural Centre is delighted to announce the SAARC Exhibition of Paintings 2018 will take place from Tuesday the 10th of July to Friday the 13th of July at the Library premises of the University of Sri Jayewardenepura.  The Inauguration Ceremony will take place on Tuesday 10th July 2018 at the Library of the University of Sri Jayewardenepura from 11.00am to 12.00 noon.

The SAARC Exhibition of Paintings 2018 is organised by the SAARC Cultural Centre in collaboration with the University of Sri Jayewardenepura and the Arts Council of Sri Lanka and will showcase new works of arts from the recently concluded SAARC Artists Camp and Exhibition of Paintings, which took place in Nepal in 2017.  In addition, there will also be presentations and mini workshops related to culture and art throughout the Exhibition, that will enhance the experience of the viewing public.  There will be paintings displayed from all the SAARC Member States of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka and we would be delighted if you would join us to witness the artistic endeavors of a multitude of artists from the South Asian Region.

SAARC Archaeology and Heritage Management Training Workshop: Footsteps of the Past, Custodians of the Present, Heritage of the Future

16th to 18th December 2018
Kabul, Afghanistan

Tangible Cultural Heritage (TCH) of South Asia is not limited to World Heritage Sites and the landscape is dotted with archaeological sites indicating the long and eventful history of the Region.  In many of these TCH sites there are associated Intangible Cultural Heritage (ICH) which are neglected due to lack of resources.  There are sites in the Region which are yet to be identified, conserved, restored and managed for posterity.  However, the biggest challenge the SAARC Region is facing now is the lack of human resources.  This workshop hopes to lay the foundation in building the human resources of the region to face the challenges of Heritage Management for present and future.

Workshop Training Modules  
This is a tentative module and will change according to the Resources Persons nominated by each Member State.

  1. Cultural Heritage Management Plans (CHMP).
  2. Site interpretation and public awareness.
  3. Disaster preparedness for cultural heritage.
  4. Documentation of archaeological sites.
  5. Photo-documentation of paintings and murals.
  6. Collection management in archaeological sites and museums.
  7. Cultural Impact Assessments in Development Projects.

Resource Persons for the Workshop
Each Member State is kindly requested to nominate a minimum of 1 Resource Person from mid to senior level professionals.  The field of expertise can be one from the list below but not limited to the fields identified below.

  1. Archaeological Excavations
  2. Artefact conservators (metal, terracotta, wooden, glass, etc.)
  3. Disaster Preparedness and Management of Cultural Heritage
  4. Collection Management
  5. Tourism promotion of archaeological sites/tangible cultural heritage
  6. Architectural conservation
  7. Archaeological Surveying
  8. Archaeological Impact Assessments
  9. Experts on GIS and 3D modelling.

Target Participants for the Workshop
The Nominees for the Workshop may be selected from amongst diverse disciplines among Academics and Policy Makers.  Priority should be for early to mid-career level professionals involved in heritage management, policy makers and persons associated with the World Heritage Sites in the Region.  Resource Persons should be selected from mid to senior level professionals.

Academics and Scholars should include but not limited to:

  • Archaeologists,
  • Art Historians,
  • Conservators,
  • Planners,
  • Architects,
  • Curators,
  • Museologists,
  • Heritage Site Managers,
  • Persons working with national and local authorities with experience in the fields of archaeological Conservation and Preservation,
  • Tangible and Intangible Heritage Experts,
  • Managers, planners and staff of heritage sites.

Details for Participation at the Workshop

  1. Official Nominees from the Member States
    The SAARC Cultural Centre invites all Member States to send a maximum of Five Official Nominations.  One of the Nominees should be a Resource Person with an expertise mentioned in No. 5 of this document (mid to senior level professionals).  The others should be early to mid-career professionals working at or in charge of a heritage site of the Member State.

    • The SAARC Cultural Centre would provide the local hospitality (Hotel accommodations on full board basis) and the local transport to all Official Nominees of the SAARC Member States (Participants / Resource Persons).
    • The Airfare of the Official Nominees of the SAARC Member States is to be borne by the respective Member State.

    The Host Country can nominate a maximum of 15 Official Nominees and they will be provided with the Workshop material and the Cultural Tour but no accommodation during the Workshop.

  2. Other Participants
    Category A – The SAARC Cultural Centre would also accept the participation of other Participants/Resource Persons from the Member States (other than the Official Nominees of the respective SAARC Member States).  Air Travel to be borne by the participant and SCC will provide accommodation, Workshop material and the cultural tour.

    • Other Participants (Category A) Selection of Other Participants in this category will be at the discretion of the SAARC Cultural Centre depending on the availability of space.

    Category B – Participants from the Host Country where the Workshop is held can participate.

    • Other Participants (Category B) from the Host country will not be provided with accommodation.
    • Selection of the Other Participants will depend on the availability of space.
  3. Other Information
    • The Language of the Workshop will be English.
    • All participants must submit a Site Report/Country Report.
    • The Workshop material (delegate kit, tea, working lunch) as well as invitations to special events and the cultural tour would be extended to all participants.
  4. Nomination Process
    1. The Official Nominees will be selected by each Member State comprising of leading archaeologists, architects, planners, conservators, site managers and those working with local authorities with experience in the field of management of cultural heritage sites and persons in charge of archaeological sites (Heritage Managers) from the Member State.  Official Nominations should be submitted to the SAARC Secretariat, with the Registration Form (Annexure 1) and the Format for the Submission of Site Reports/Country Papers (Annexure 2) attached (or downloaded from the SCC website) and the details requested at 7.5 of this document.
    2. All Other Participants (Category A and Category B) from each Member State should forward their information (including the Annexure 1 & Annexure 2) through the respective Foreign Ministries to the SAARC Secretariat in Kathmandu.
    3. All Applications must be sent through the respective Ministry of Foreign Affairs/Ministry of External Affairs to the SAARC Secretariat in Kathmandu.  An Advance copy can be emailed to the SAARC Cultural Centre.
  5. All Participants should include:
    1. Full Name and Affiliation of the Person and other details requested in the Registration Form attached herewith.  (Registration Form – Annexure 1)
    2. Detailed CV of the participant.
    3. Scanned Copy of Passport
    4. The Site Report of a Tangible Heritage Site the participant (Official Nominees and Other Participants) is familiar with.  The Site Report should be submitted in the Submission Form attached herewith.  (Format for the Submission of Site Reports/Country Reports – Annexure 2)
    5. The Officially nominated Resource Persons are requested to prepare Country Reports (ie. Situation of the respective Member States) from the perspective of his or her expertise.  The Country Report should be submitted in the Submission Form attached herewith.  (Format for the Submission of Site Reports/Country Reports – Annexure 2)
  6. Format for Submission of Site Reports/Country Reports
    The Format for the Submission of Site Reports/Country Reports are attached as a separate document (Annexure 2).

Site Reports/Country Reports
All participants must prepare a Site Report/Country Reports of an archaeological or cultural heritage site which you are familiar with.  These Reports will be used as case studies during the Workshop.  Please use Annexure 2 to submit the Site Reports.  The Report must contain the following information.

  • Basic Information (Location – Longitude and Latitude, Country, State/Province, District, Town, Village, etc., a map of the area, etc.)
  • Type of Site (Religious, Administrative, Agricultural, Residential, etc.)
  • Authority/Ownership of the Site (Local Government, State Government, Religious Order, etc.)
  • Description of the Site (History, chronology, architectural details, landscape, etc.)
  • Current status (the number of visitors, infrastructure available for visitors, information available for visitors, etc.)
  • Existing publications regarding the site.
  • Websites which refers to this site.
  • Any other relevant details.

Time Schedule for the Workshop & Site Report Submissions
Call for Participation: 27th March 2018
Deadline for accepting Nominees & Participants: 25th November 2018
Submission of Site Reports/Country Reports: 25th November 2018

Workshop: 16th to 17th December 2018
Cultural Tour: 18th December 2018

SAARC Handicraft Exhibition and Workshop Thimphu, Bhutan 31st May 2018 to 1st June 2018

Handicrafts are a part of the culture of the SAARC Region, the tangible representation of the intangible aspects of culture.  The artisans create their products using traditional material and techniques which reflect the history of each Member State through handicraft.  Many of these handicrafts, associated knowledge and techniques, specially the intangible aspects are fast disappearing from the Region due to the introduction of other man-made material.  To revive these traditional crafts and to give the crafts and the artisans a recognition and value, the SAARC Cultural Centre established the Handicraft Exhibition and Workshop.  The SAARC Cultural Centre further hopes to promote Cultural Industries within Region through the SAARC Handicraft Exhibition and Workshop.  The First Handicraft Exhibition and Workshop was held in 2016 in Sri Lanka followed by the Second Handicraft Exhibition and Workshop held in Bangladesh in 2017.  The Third Handicraft Exhibition and Workshop will be held in conjunction with the Culture Capital in Thimphu, Bhutan giving the artisans from the Region more prominence and an opportunity to display their artistry and to work together and learn from each other during the workshop.

The Eighth SAARC Film Festival 2018 – Awards Ceremony

The Eighth SAARC Film Festival was concluded with the Eighth SAARC Film Awards Ceremony held at the National Film Corporation Film Theatre in Colombo, Sri Lanka on 27th May 2018. The Hon. Wijeyadasa Rajapakshe, Minister of Higher Education and Cultural Affairs graced this occasion as the Chief Guest. Mr. Munir Ghiasy of the Embassy of the Islamic Republic of Afghanistan in Sri Lanka, Ms. Rajashree Behera of the Indian Cultural Centre representing the High Commission of India in Sri Lanka, Mr. Mohamed Faris Thaha the Executive Coordinator and Head of the National Centre for the Arts in Maldives, Ms. Fathimath Rifau of the Embassy of Maldives in Sri Lanka and Mr. Intisar Ahmad Sulehry of the Pakistan High Commission in Sri Lanka representing the SAARC Member States, Ms. Yasoja Gunasekara – Senior Director General of the SAARC Division of the Ministry of Foreign Affairs in Sri Lanka, Mr. Sitendra Senaratne – Chairman of the National Film Corporation, Ms. Uma Rajamantri – Chairperson of the Selacine Television Institute, Mr. M.D. Mahindapala – renowned Cinematographer and Film Educator, Mr. Ashely Ratnavibhushana – renowned film critic and film society activist, Ms. Han Sunhee of South Korea (Jury Member), Mr. Amable Tikoy Aguiluz of Philippines (Jury Member) and Mr. Christophe Henri of France (Jury Member) and Mr. Dhanushka Gunathilake – Consultant to the SAARC Film Festival participated as Guests of Honour at this occasion.

Mr. Tauquir Ahmed Director of Halda (Bangladesh), Mr. Morshedul Islam Director of Akhi and Her Friends (Bangladesh), Mr. Akram Khan Director of Khacha (Bangladesh), Mr. Manouj Kadaamh Director of Kshitij (India), Ms. Fathimath Nahula Director of 4426 (Maldives), Mr. Ali Shamin Director of Status (Maldives), Ms Mariyam Azza Actress of Hahdhu and 4426 (Maldives), Mr. Malaka Dewapriya Director of Bahuchithawadiya (Sri Lanka) and Mr. Prasanna Jayakody of 28 (Sri Lanka) represented the film cast and crew of the SAARC Member States.

During the Eighth SAARC Film Festival 26 Feature Films, Short Films and Master Films screened from the SAARC Member States from 22nd May 2018 to 27th May 2018.

The SAARC Film Award Winners are as follows:

Best Feature Film – Halda (Bangladesh)
(Tauquir Ahmed Director)

It addresses serious environmental issues of real day-to-day Bangladesh life, emphasizing the struggle of the people through cinematic language. It’s about sustainability of the life of the rural people.

Best Director – Prasanna Jayakody (Sri Lanka) for 28 (Twenty-Eight)

It’s basically a poignant storytelling about marginalized characters. The director captivates the audience through very clever cinematic storytelling, continuously surfing on the cutting edge of irony and humor.

Best Actor – Mahendra Perera (Sri Lanka) for 28 (Twenty-Eight)

For his depth, realism and sincere heart-felt portrayal of his character who gradually releases his emotion and connection to the corpse.

Best Actress – Vaishnavi Tangde (India) for Kshitij (The Horizon)
(Child Leading Actress from Kshitij who played Vacchi)

For her honest, innocent and realistic portrayal of a little girl who wants to rise above her situation.

Best Short Film – GI (India)
(Director Kunjila Mascillamani)

By the presentation of cinematic language, the director is able to tell her story about the girl’s sacrifice for her grandfather.

Best Screenplay – Prashant Pandey & Shreya Dev Verma (India) for Poorna

It’s a ‘triumph of the spirit’ story with compelling and accurate narration of true events that project the hardships of climbing Mt. Everest.

Best Cinematographer – Enamul Haque Sohel (Bangladesh) for Halda

For the light and shadow interplay of the lives and drama of the people in the river Halda.

Best Editing – Amit Debnath (Bangladesh) for Halda


For its fluid and balanced flow of the story.

Best Sound Design – Sasika Ruwan Marasinghe (Sri Lanka) for Bahuchithawadiya (The Undecided)

It accurately reproduced the sounds of the environment and locations of present day Sri Lanka.

Best Original Score – Tauquir Ahmed, Pinto Ghosh, Sanzida Mahmood Nandita (Bangladesh) for Halda

For its beautiful conversion of traditional Bangladesh music into contemporary flavor.

Special Jury Award – Malaka Devapriya (Sri Lanka) for Bahuchithawadiya (The Undecided)

It is a daring movie that pushes the cultural boundaries of the traditional Sri Lankan values, in a humorous and accurate way.

Special Jury Award – Manouj Kadaamh (India) for Kshitij (The Horizon)

For its sincere and relevant portrayal of the need for education of the youths in India, especially young girls.


Film Schedule – SAARC Film Festival 2018

22 May 23 May 24 May 25 May 26 May 27 May




Feature/ 90 mins/ Sri Lanka


Serga Mathang
Feature/ 145 mins/ Bhutan

1.00 pm

Feature/ 137 mins/ Pakistan

4.00 pm

Short/ 30 mins/ India

5.00 pm

Feature/ 110 mins/ Bangladesh

7.20 pm

Short/ 8 mins/ Maldives

7.30 pm

Feature/ 150 mins/ Maldives

9.30 am

Short/ 28 mins/ Maldives


10.15 am

Feature/ 132 mins/ Maldives


1.00 pm

Short/ 13 mins/ Bangladesh


1.15 pm

Feature/ 133 mins/ Pakistan


4.00 pm

Feature/ 90 mins/ Sri Lanka


6.00 pm

Feature/ 95 mins/ India


8.00 pm

Fire of life
Short/ 24 mins/ Sri Lanka


8.30 pm

Chain Aye Na*
Feature/ 110 mins/ Pakistan

9.00 – 11.00am


Role of a Producer and Co-production in South Asia

@ Sri Lanka Media Training Institute (SLMTI)
No 100A, Independence Sqr, Colombo 7.

11.30 am

Akhi & Her Friends*
Feature/ 114 mins/ Bangladesh


2.00 pm

Mata Nam Ahuna
Short/ 24 mins/ Sri Lanka


3.00 pm

Feature/ 130 mins/ India


5.30 pm

Hum Chewai Zamling
Feature/ 145 mins/ Bhutan


8.30 pm

Punjab Nahi Jaon Gi
Feature/ 159 mins/ Pakistan

10.00 am

Kalo Meghar Vela
Short/ 30 mins/ Bangladesh


10.45 am

Feature/ 95 mins/ India


12.30 pm

Chalay Thay Sath*
Feature/ 120 mins/ Pakistan


3.30 pm

Feature/ 150 mins/ Bangladesh


6.30 pm

The Waterfall
Short/ 20 mins/ India


7.00 pm

Feature/ 90 mins/ Sri Lanka


SAARC Film Festival 2018
Award Ceremony


7.00 pm

Screening of the Award
Winning Best Feature Film of the SAARC Film Festival 2018

* Non-competitive entries

Some of the films screened may contain adult content, parental guidance advised

Entrance Free

SAARC Film Festival 22nd – 27th May 2018

“Our one goal is to give the world a taste of peace, friendship and understanding through the visual arts, the art of the celebration of life” – Steven Spielberg


Now in its 8th year, the SAARC Film Festival continues to be one of the most successful Programmes in the SAARC Cultural Centre calendar of activities.  Since the Inaugural SAARC Film Festival in 2011, the SAARC Member State of Sri Lanka has been host to this diverse celebration of life and the development and display of visual arts through the medium of film.

With every passing year, the SAARC Film Festival has built a reputation as being a very important platform and focal point for the congregation, celebration and enjoyment of some of the best films from the SAARC Region.  It has become an event inspiring much interest, respect and regard for the promotion and sharing of the common cultural heritage, norms and traditions of the South Asian Region, through film. Over time it has also gained a reputation for promoting and featuring some of the best films from the SAARC Region.  The SAARC Cultural Centre (SCC), in keeping with its mandate of promoting culture in the Region through varying types of art, will once again showcase films from South Asia as an expression of its culture at the 8th SAARC Film Festival 2018.  A special feature which distinguishes this Festival from others is that the SAARC Member States nominate creations and artistry which display and showcase the cinematic imagination of the SAARC Region, using the medium of Film.  A reputed panel of international judges select the best films and recognise the individuals who are at the very core of this creativity as a form of encouragement and respect to continue producing quality, thought provoking and representational films for the Region.

The SAARC Cultural Centre will continue this tradition of bringing wider recognition for South Asian films and in 2018, the SAARC Film Festival will take place in Sri Lanka.  It is an event unique to the Region and one that has caused interest and excitement amongst the people of South Asia since 2011.  The Centre is committed to developing the concept of “unity within diversity” and innovating through this very dynamic form of cultural exploration and to build it into a truly magnificent and international festival experience.  In 2018, the Festival will include a workshop with international experts from the world of film, with additional peripheral events that would enhance the experience of South Asian Cinema even further.  The message of tolerance and the power of film will be easily accessible with free entrance to all the events throughout the Festival.  Every Member State is given the opportunity to screen and showcase several of their best creations and form a vibrant collage and tapestry of meaningful films from the Region.

The SAARC Film Festival 2018 will focus on films first screened after May 2016, from all Member States, inviting the directors and artists of these films to partake in workshops conducted to encourage and improve future productions.

At the SAARC Film Festival 2018, we explore the world of Film and Cinema indigenous to the SAARC Region, along with the ever-growing enthusiasm and dedication we are privileged to receive from the host country of Sri Lanka.

Film Categories for Nominations

There will be three film categories open for nominations at the SAARC Film Festival 2018:
A.    Feature Films – Competitive Nominations
B.    Short Films – Competitive Nominations
C.    Master Films – Non-Competitive Nominations

Dates and Venue
22nd – 27th May 2018, including the following:
22nd May 2018 – Opening Ceremony
24th May 2018 – Film Workshop
27th May 2018 – SAARC Film Awards Ceremony 2018

Film Schedule 2018

Venue: The Cinema Hall, The National Film Corporation, Sri Lanka

SAARC Film Awards 2018

The following Awards will be presented at the end of the SAARC Film Festival, following selection by a panel of jury members from non-SAARC Member States, at the SAARC Film Awards 2018, which will take place on the 27th of May 2018. The decision of the panel will be final.

  • Best Feature Film
  • Best Short Film
  • Best Director
  • Best Screenplay
  • Best Actor
  • Best Actress
  • Best Cinematographer
  • Best Editor
  • Best Sound Designer
  • Best Original Score
  • Two Special Jury Awards

Registration Form for the Submission of Films

Please contact SAARC Cultural Centre if you require further information.


SAARC Research Grants 2018

The Research Grants will provide an opportunity for the Member States to explore new research areas and sites along the Hindu Cultural Trails.  This will also act as a precursor to the Cultural Trails proposed for the future and lay the ground work in research to look at Cultural Trails as connected routes where ideas, information and knowledge travelled in all directions.

Objectives of the Research Grant

To encourage new research through the SAARC Research Grants (8 Research Grants, one for each Member State)

  • Research on identification of new sites, locations, trails, Tangible and Intangible Heritage associated with HCT.
  • To facilitate new research and new approaches to study the HCT as an integrated entity.
  • To study and analyse all different perspectives and areas which influenced the establishment, development and continuation of the Cultural Trails in the region.
  • To present innovative measures for the conservation and preservation of HCT locations.

Research Grant Overview  

The SAARC Cultural Centre invites Academics and Researchers from Member States to submit detailed Research Proposals (along with the detailed budget breakdown for US$ 1,000/=) for new and innovative short-term research projects on the Hindu Cultural Trails.  One research proposal will be selected from each Member State to be awarded the short-term research grant of US$ 1,000/=.  The selection of Research Proposals will be carried out by a Team of Experts selected by the SAARC Cultural Centre.  The first instalment of the grant (US$ 500/=) will be made at the commencement of the Research Project.  The final payment is subject to the review of the final presentation made to a Team of Experts via Video Conferencing and submission of the Final Research Paper.  Any suggestions / recommendations made by the SCC Team of Experts at this stage should be included in the research process by the respective researchers.

At the completion of the Research Project each Researcher will be required to submit a Research Report of Academic Research quality to be published in the “South Asian Cultural Trails” publication series of the SAARC Cultural Centre in 2019.  The Research Project is to be presented at a local or international forum within 1 year and to disseminate the knowledge gathered with the relevant stakeholders (Academic discussion, Tourism industry, sustainable development, etc.) and to send SCC the relevant documents with regard to the above dissemination of information.

Research Project Themes

  1. Identification of New Sites and Locations along the Hindu
  2. Cultural Trails.  Comparative Studies of Hindu Temples in different areas.
  3. Comparative Research and interpretation of Landscape values of Hindu Sites.
  4. Travels of Hindu Pilgrims
  5. Connectivity between Hindu Temples of different Countries and Regions.
  6. Hindu Cultural Trails (HCT) –
  7. Art and Architecture of HCT.
  8. Archaeology of HCT.
  9. Intangible Heritage of HCT (Music, dance, folk art, folk stories, traditional healing, handicrafts, etc.)
  10. Trade and Commerce of HCT (Aromatics, Spices, Exotic items, etc).
  11. Hindu Manuscripts, texts and inscriptions, languages and scripts of HCT.
  12. Technology of HCT (Irrigation, engineering, agriculture, etc.)
  13. Cultural Diffusion of HCT
  14. Heritage Management of HCT sites
  15. Tourism promotion of HCT


  1. Academics, Scholars and Researchers of the SAARC Member States.
  2. Academics, Scholars and Researchers who have received Research Grants from the SAARC Cultural Centre previously will not be eligible.

Application Process

  1. Format for the Application is attached herewith as Annexure 1 and available at the SAARC Cultural Centre website. (
  2. Each Member State can forward any number of Research Proposals for consideration.
  3. Research Proposals should be for an innovative and new research based on the themes mentioned above (No. 4 of this document) or on a new theme related to Hindu Cultural Trails.
  4. All sections of the application should be completed (Part A, B and C).  Incomplete applications will not be considered.
  5. Applications must be forwarded to the SAARC Secretariat in Kathmandu, Nepal through the Ministry of Foreign Affairs/Ministry of External Affairs of the Member State.
  6. An advance copy can be emailed to the SAARC Cultural Centre – with copy to
  7. All Research Proposals must reach the SAARC Cultural Centre by 30th June 2018.
  8. The Research Grant will be distributed in 2 instalments – The first instalment (US$ 500/=) at the commencement of the project and final instalment (US$ 500/=) after the submission of the Final Report.
  9. The final payment is subject to the review of the final presentation made to a Team of Experts via Video Conferencing and submission of the Final Research Paper. Any suggestions/recommendations made by the SCC Team of Experts at this stage should be included in the research process by the respective researchers.
  10. At the end of the Research Project each Researcher will be required to submit a research report of academic research quality.

Time Schedule

Deadline for Accepting Research Proposals: 31st August 2018
Approval for the Research Project: 10th October 2018
Commencement of the Project: 20th October 2018
Final Report: 31st January 2019
Presentation of the Research to the Team of Experts: March 2019